In 1966, Ed Ruscha drove a car rigged with a motorized camera to capture Los Angeles’ most iconic street: Sunset Boulevard. He created a time capsule of its famed facades, beginning a sixty-year-long commitment to documenting the changing urban landscape of postwar Los Angeles. The Streets of Los Angeles project that comprises these photographs is likely the most comprehensive artistic record of any city, with over 900,000 images of major thoroughfares. Ruscha’s photographs constitute an unparalleled visual chronicle of both iconic and everyday sites in L.A., including popular music venues, neighborhood restaurants, and billboards promoting Hollywood’s latest blockbusters.
In this volume, scholars from disciplines such as urban planning, cultural geography, architecture, art history, and musicology explore the Streets of Los Angeles Archive as a rich repository for analyzing Ruscha’s practice and the city’s visual culture. Using his photographs and new data visualizations, the authors consider what it means to interpret an archive mostly accessible through digital technologies, and they demonstrate how histories of art have been indelibly reshaped since the advent of the information age in the 1960s.
Video Introduction
Learn more about the Getty and Ruscha project in the “Introduction” and “Narrative History” and the essays featured in the video: “Ed Ruscha’s Street-Level View and the Postwar Redevelopment Vernacular,“ by Francesca Russello Ammon, Brian D. Goldstein, and Garrett Dash Nelson; “Songs for Every Address,” by Josh Kun; and “From Banks to Blanks,” by Kate Palmer Albers.